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An accomplished singer, songwriter, producer, and performer, Kevin Ross
“I love to collaborate, and the music never stops,” he explains. “It still has to get done, so I’ll make it myself. Whether I knew it or not, producing was already written into my DNA as an artist in terms of who I was supposed to be all along. That’s not just an artist who can sing, but an artist who can write, produce, perform, and execute at the highest level possible in order to deliver to the masses.”
Kevin vividly recalls his first memory of music, listening to Lisa Stansfield’s “All Around The World” from his car seat as a baby. He went on to obsess over the likes of Marvin Gaye, Stevie Wonder, Donnie Hathaway, and Smokey Robinson. Following his high school years at Duke Ellington School of the Arts, he earned a scholarship & degree to Boston’s prestigious Berklee College of Music. Settling in Atlanta, he initially made waves behind-the-scenes, penning hit charting tunes for the likes of Trey Songz, Toni Braxton, Tank, and many more.
As a solo artist, he wrote, recorded, and produced “Long Song Away” in 2016, toppling both the Adult R&B Songs Chart and the Urban Adult Contemporary Chart at #1. In between collaborations with Kevin Hart, Ne-Yo, and T.I., he built a bulletproof solo discography highlighted by The Awakening , Drive EP , and Audacity Vol. 1-2 . From the latter, “God Is A Genius” generated 13 million streams across platforms. Along the way, he also toured alongside legends Babyface, KEM & Maxwell, in addition to picking up nominations at the Soul Train Music Awards, NAACP Image Awards, and iHeart Radio Music Awards.
In 2019 he founded Art Society Music Group as the home for all of his releases. With Kevin at the helm 2021’s Drive 2 [ASMG/Empire] represented another high achievement. It bowed at #1 on the iTunes Top R&B/Soul Albums Chart, while “Looking For Love” vaulted onto the Top 10 of the Billboard Adult R&B Radio Play Chart.
Beyond acclaim from Billboard, Rolling Stone, and BET, Washington Post proclaimed, “Ross doesn’t sound like he’s trying to find a musical identity. He knows who he is, and his album reflects that.”
“Everybody has a guilty pleasure or something to take them away from the daily monotony,” he observes. “It’s more so about escapism than it’s meant to be sexual or sensual. For me, the main key is the escape. If you’re riding in the car, you can play the song. It could just feel liberating like a cool breeze. This song is transformative in a sense. Wherever you are, it can be your soundtrack.”
Ultimately, Kevin keeps creating the soundtrack to your life.
“When you listen to me, I hope the music makes you feel something, puts a smile on your face, or provides comfort,” he leaves off. “It’s much bigger than me. I want you to make memories to these songs. I couldn’t ask for anything else. For me to be complete, I need to write, produce, arrange, mix, and perform on stage to affect people. I feel like I’m doing what I need to do, and this is where I’m meant to be today.”