Ramonda Hammer releases visual to “Better View”

Ramonda Hammer
Los Angeles-based band Ramonda Hammer has shared the official video for “Better View.” The track is the second single lifted from the band’s debut full length album I Never Wanted Company on New Professor Music, home to Rosie Tucker, Cheekface, yOya and more (pre-order). About the video Ramonda Hammer’s Devin Davis says, “‘Better View’ is about various fantasies and realities that two people find themselves in when they are trying to get to the best version and perspective of each other. It also explores identity – how two people can lose themselves in each other and sometimes you can’t tell which one is which, and, identity in the sense of how people feel in their own bodies. That being said, I think emotions and personal qualities have no gender; strength isn’t masculine and nurturing isn’t feminine. Two people in love just put all their non-binary puzzle pieces together and see what kind of picture it makes.” The video which was directed by Tess O’Connor can also be shared at YouTube. “Better View” follows up the release of “Hoax” the first single from I Never Wanted Company.“Hoax” is available share at Spotify andSoundcloudRamonda Hammer has a Los Angeles release show coming up on June 14 at The Echo. The show will also include performances by Spare Parts For Broken Hearts and Cosmo Gold. Tickets are avaiable HERE. Look for additional tour dates to be announced in the coming weeks. 

On I Never Wanted Company, Ramonda Hammer’s front-woman Devin Davis takes a hard look at her struggle between despairing loneliness and embracing independence The Los Angeles quartet’s blistering guitars and Davis’s paint-peeling vocals – equally recalling past greats like Hole and likeminded contemporaries like Mannequin Pussy – form a strong support for lyrics that grapple with two years of emotional upheaval for Davis. 

Since the band released their 2017 EP Destroyers, a release that cemented Ramonda Hammer as a tentpole act in L.A.’s surging community of woman- and queer-fronted bands, Davis struggled to come to terms with her codependency, fought against her own overwhelming over-analysis, and got into her first queer relationship. The result is an album that’s bruising, cathartic, searching, and ultimately therapeutic. The quartet – Davis on vocals and guitar, Justin Geter on guitar, Andy Hengl on bass and Mark Edwards on drums – has never sounded more powerful, providing a muscular frame for Davis’s cutting observations on her own life. Featuring production by Alex Newport (At The Drive In, Bloc Party), I Never Wanted Company is a triumphant return for Ramonda Hammer.

“No one is coming! No one!” Davis wails at the end of lead single “Hoax”. On its face, it’s a bleak and almost nihilistic statement – but for her, it’s a call to independence. In the same vain on “Relativity”, she muses, “I want to love myself the most, and still get fucked by you the most.” Meanwhile, “Better View” finds Davis learning the nature of a relationship with a non-binary partner. With her trademark sass, she says “I adore you better when we’re talking shit outside,” and then adds, “and you ignore the effort when I’m on my knees.” Similarly on the waltz “A Dramatization,” Davis sings, “I did a hard thing, but you don’t get hard now.” Davis explains: “Those are pretty sexual things. I don’t write lyrics about sex too much, but it’s an important part of attraction, understanding identity, and the difference between hetero and queer relationships – especially a queer relationship with a person who doesn’t identify with the body they were born into.”

I Never Wanted Company is clearly a document of a songwriter and a band refining a true and honest sound. Ramonda Hammer’s sound has become central to a burgeoning L.A. scene the band helped build over the last few years, a scene which in turn has begun launching its bands onto the national stage. But it’s also a personal document for Davis, and one she hopes to offer as a guide to people who want to take better control over their own lives and emotions. “I’m an anxious person,” Davis says. “It helps me to play loud rock music with gritty sounds and brash lyrics. Sometimes you need to scream to wake up.”
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